Shuttle Art Acrylic Paint, 50 Colors Acrylic Paint Set, 2oz/60ml Bottles, Rich Pigments, Water Proof, Premium for Artists, Beginners and Kids on Canvas Rocks Wood Ceramic Fabric

First impressions

My studio has a habit of swallowing tubes of paint, so sets with generous volumes are a relief. The Shuttle Art acrylic set arrives as fifty 60 ml bottles—more than enough paint to experiment freely without rationing. The palette spans standard primaries and earths, plus metallic gold and silver and a handful of hot fluorescents. It’s the kind of range that invites you to get started immediately rather than mixing everything from scratch.

What you get

• 50 bottled colors, 2 oz each
• A mix of standard hues, two metallics (gold, silver), and fluorescent accents
• Water-based, quick-drying acrylic that cures to a waterproof finish
• Certified non-toxic (ASTM D-4236, EN71-3)

The bottles are a practical choice. They’re easy to squeeze, minimize waste, and the 60 ml volume gives you enough paint to cover multiple canvases or a run of craft projects.

Color range and pigmentation

The standout here is breadth. There’s a ready-made solution for most needs: a cool and warm approach to primaries, a respectable spread of greens and violets, and useful neutrals. The metallics behave like craft metallics—bright, clean sparkle without glitter fallout—and the fluorescents deliver the punch you expect on white grounds.

Pigment strength is squarely in the “good everyday” category. Strong colors (phthalo blue/green, crimson, sap-green equivalents) pack a surprising punch and tint well. Pastel shades are genuinely ready-to-use, which is great if you prefer to paint straight from the bottle. Lighter tones and some tints (white, pale lavender, some light yellows) skew more translucent than artist-grade paints, so expect to build them up with an extra coat or lay down a primer for fast coverage.

If you rely on a deep, neutral earth for shadows, you may find yourself wishing for a true burnt umber or a darker brown. The set includes browns, but I still supplemented with a tube of umber for figure work and wood tones.

Consistency and handling

The paint has a creamy, medium-body feel that spreads smoothly with a brush or foam applicator. It’s neither runny nor paste-like. On canvas, it levels enough to avoid excessive brush marks while still holding texture for dry brushing, scumbling, and dot work. It also loads nicely onto sponges and pouncers for stenciling.

For detailed work, I liked how predictably it thins with a few drops of water or, better yet, an acrylic medium. It stays stable when extended—no chalky collapse of color—and plays nicely with glazing and matte mediums. If you’re coming from heavy-body artist acrylics, you’ll notice the lighter body; if you’re used to craft acrylics, this feels a notch creamier and more forgiving.

Coverage and opacity

Coverage is generally solid, with two caveats:

• High-chroma and mid-to-dark colors often cover in one pass on primed canvas or wood.
• Pastels, white, and some yellows benefit from two coats for a uniform finish.

On slick surfaces (glass, glazed ceramic, primed metal), coverage improves if you lightly scuff with a fine abrasive or use a multi-surface primer. The metallics cover best over a dark base if you’re after a strong contrast; over white, they’re bright but slightly more transparent.

Drying time and finish

Dry-to-touch happens quickly—typically 10–20 minutes in a temperate, low-humidity room—which is helpful for layering and craft workflows. The metallics flash off even faster. If you need more open time for blending gradients on canvas, a drop or two of retarder or working in a slightly more humid environment helps.

The finish dries to satin-matte across most colors. Metallics dry with a clean sheen. Once fully cured, the paint is water-resistant and handles gentle wiping without lifting.

Surface compatibility

I tested across a small cross-section of projects:

• Canvas and canvas panels: Smooth coverage, predictable layering, minimal sinking.
• Wood ornaments and signs: Excellent adherence; sealing brings out color depth.
• Rocks: No issues; two coats for lighter colors; stands up well with an outdoor varnish.
• Metal (primed): Good grip with a primer first. Color remains vivid after sealing.
• Fabric: Bonds as expected for acrylic. For items that will be washed, a gentle heat set and a fabric medium are worthwhile for flexibility.

On slick glass or ceramic, adhesion is fine for display pieces with a clear sealer. For functional items, a dedicated glass paint or bake-on process is more reliable.

Mixing and layering

The palette mixes cleanly. Warm/cool primaries make it easy to avoid mud when you’re careful about complementary blends. Tints with white are straightforward, though plan on an extra pass with very pale mixes if you’re covering dark grounds. Glazes are pleasant: thin with a glazing medium and the color stays luminous rather than milky.

Because the paints dry fast, I leaned on glazing for smooth transitions rather than extended wet-on-wet. The creamy body supports subtle texture without tearing up under the brush.

Durability and sealing

Once cured, the paint film is flexible and water-resistant. For indoor canvas work, I’m comfortable leaving pieces unvarnished if I want a true matte look, though a removable varnish adds protection and makes cleaning easier. For outdoor crafts or anything handled frequently (doors signs, plant stakes, rocks), a clear acrylic sealer or polyurethane topcoat is smart insurance. On a primed metal garden piece, color held well after sun and mild rain exposure with a clear topcoat.

Lightfastness isn’t rated here per pigment, and fluorescents are known to fade more quickly in sun. For archival fine art, I’d avoid fluorescents and consider a UV-protective varnish, or choose artist-grade paints with published lightfast data.

Cleanup and safety

Cleanup is simple—soap and water while wet. The non-toxic certification is reassuring for family or classroom settings. As with any acrylic, once it dries on brushes, it’s stubborn; a little discipline at the rinse cup goes a long way.

Value

The value proposition is strong. Fifty 2 oz bottles come out to a lot of paint per dollar. If you’re building a studio from scratch, teaching workshops, or tackling a series of decor and craft projects, the cost-per-color saves time and budget. Artist-grade tubes still have a place for flagship colors or archival work, but for daily painting and multi-surface crafts, this set stretches far.

Limitations to consider

• Opacity varies. Pale colors and white need extra coats for full coverage.
• Metallics dry faster than the rest; plan your strokes or add a touch of retarder.
• Earth tones are serviceable but limited. If you love deep umbers and nuanced neutrals, supplement a few tubes.
• No published pigment/lightfast labels per color, so professionals concerned about permanence should test and varnish accordingly.

None of these are deal-breakers for the intended audience, but they’re worth knowing so you can plan your workflow.

Who it’s for

• Beginners and hobbyists who want a complete, forgiving palette without mixing from scratch
• Crafters and DIY decorators working on wood, canvas, rocks, and primed metal
• Teachers and group settings where non-toxic, quick-dry, and ample volume matter
• Mixed-media makers who need reliable, thin-able color for layering and stenciling

Who might look elsewhere: painters who require maximum opacity in light tints out of the tube, strict lightfast documentation, or the heavy body and pigment load of artist-grade paints.

Recommendation

I recommend the Shuttle Art acrylic set for beginners, classrooms, and makers who want breadth, solid performance, and a lot of paint for the price. The colors are vibrant, the handling is easy, and the quick-drying, waterproof finish suits craft and decor projects as well as casual studio work. Plan on an extra coat for pale shades, consider a UV-protective varnish for pieces in strong light, and supplement with a favorite deep brown or a high-cover white if those are staples in your practice. With those small tweaks, this set becomes a versatile workhorse that keeps you painting more and mixing less.